Skip to main content

Valentine's Day Inspired Shoot

 On February 7th, I worked with the lovely Miss June Bug on a Valentine’s Day inspired shoot at Lost & Found Event Rentals in Dayton.  This shoot revolved around a red flower and heart headpiece I recently made.  The headpiece was inspired by the 1940s and 1950s look of pinning flowers to one side in your hair and hats worn to the side of the head.  Since the headpiece has hearts in it, I went for a 1940/50s Valentine’s Day theme and stayed with red and white color scheme. 

For this shoot I used:

  • Canon 80D
  • 4 Speed lights
  • Light stands
  • Trigger
  • Round soft box
  • Strip Soft box
  • Square Soft box
  • Red chair
  • Red tulle
  • Red heart chocolate box
  • Hershey Kisses to fill the chocolate box

For this shoot I used my standard 18-200mm lens. I was shooting at ISO 100, a shutter speed of 1/200s, and using an aperture of F5.6 with a few shots taken at F/8. My focal length ranged from 18mm to 80mm, with the most common focal length being 18mm followed by 28mm.  The studio was a bit shallow, so the wider focal length was used to ensure I got the whole body and could crop to 8.5x11 or 11x17 size.  I have been cropping to 8.5x11 or 11x17 because most magazines want images cropped to this size.  I also will use a 1x1 or square crop because that works well for Instagram.

My inspiration image for the overall shoot is the print below.  It was the perfect sweet but sexy inspiration image. From there it was up to the model to pose, and she did a wonderful job. She had the perfect expressions and expertly worked the props, the candy box and her own glasses. 

I had several favorite images from the shoot.  My personal favorite, isn’t truly a Valentine’s Day photo but of an image you could see in an old movie. It is one of longing or possible heart break.  To get this image I had a strip soft box to my left, close to perpendicular to the model, and then a larger square soft box to my right to light the models face.  When editing the image, I did the basic edits and used Adobe’s neural filter to balance and refine the skin to give it a polished look. I also applied am orange/teal split tone to the image as well as vignette. The split tone really is what make the image pop, while providing the correct mood for the image.


This second image is a favorite because I just like the overall attitude being portrayed in shot.  To me it is a strong confident woman who knows she is sexy.  To get this image I placed the square off box to my right and used that as my main light.  When editing the image, I did basic edits, added a bit of a vignette, and used purple/yellow split tone.  


I liked working with Miss June Bug because I got two looks with the same model by having here just wear or remove her glasses. He has wonderful cat-eye glasses that worked with the shoot and look adorable on her.  She used her glasses as a prop, and we were able to capture what I call some sexy intellectual shots.  Then without the glasses we were able to capture those some perky, bubbly personality shots.  You can see a comparison of the two types of shots below.  For both shots I used the round soft placed to my left, and aimed at the model’s face as the main light and then filled with the large square soft box.


This final image is a rather traditional type Valentine’s Day image, girl surrounded by red, sitting on white fur pillows with a box of chocolates. This image really ties back to my original inspiration image. To get this image I had the model sit on a pillow on the floor, wrapped the red tulle around her a bit like a nest, and then placed the box of chocolates next to her.  I lit this image by placing the round soft box up and to my left pointed down towards the model’s left, and filled with the large square soft box.  When editing the image, I did basic edits, used Adobe’s neural filter to polish the skin to give it a finished look, and then added a light vignette.   


Overall, I love how the images from this session came out. I also had six images from this set published in Retro Lovely’s Special Valentine’s Day Themed Issue Volume 14.  If you would like to see all the final images from this session, you can see them here. 

Comments

Post a Comment

Popular posts from this blog

2025 Year in Review and Looking Forward to 2026

This year was a bit interesting especially since during the day, I’m a government employee, which resulted in a lot of stress and a 42-day furlough.  I didn’t attend as many cosplay events with the D.C Cosplay group, now Costume and Camera, as I normally would have, due to schedule conflicts.  However, I traveled up to Poughkeepsie, New York for two photo events, one of which I was a featured photographer.  I attended two conventions, one of which didn’t turn out as expected and the other just confirmed my decision to take a break from it.  Though happily I did a lot of studio work this year, which I enjoyed.  But on the other hand, I lost my dear “studio supervisor”, my dog Teddy.  He liked to great clients and then “supervise” while lying/sleeping in his bed. I also started to work on the business side of my photography work, by investing in a Customer Relationship Management (CRM) site to manage bookings, schedules, and payments. No more trying to juggle...
Post a Comment
Read more

Cyber Blue

On October 11 th , I worked with Dayvon on a cyber concept shoot. This shoot was designed around a pair of contact lens with a circuit board pattern. This inspired me to think about things like “Blade Runner”, “Tron” and cyber punk in general.    For this shoot I used: Canon 80D 2 Speed lights 2 Phottix strobes 2 Phottix Rectangular Softboxes with a grid 2 C-stands Blue gels Silver garage insulation Backdrop stand Black backdrop Connectable foam workout mats For this shoot I started out using four lights. The first two were small speed lights with blue gels attached placed on the floor aimed at the backdrop.  The backdrop was silver garage insulation, which looks like silver bubble wrap. The backdrop reflected the blue light forward providing a bit of rim light.  My main two lights were the strobes is rectangular soft boxes with grids attached. For this shoot I kept the lighting very low key, styled along that of a photo of Ryan Gosling i...
Post a Comment
Read more

Return to the National Portrait Gallery

On February 28th, I attended the  Costume & Camera  (previously DC Cosplay Photoshoots) event at the National Portrait Gallery in DC.  I have a love/hate relationship with shooting at the National Portrait Gallery; it is a beautiful location due to its architecture, especially on the third floor, and I’m thankful that you are allowed to do portrait photography there as long as you don’t use flash.  What I get frustrated with is the varying colors of light throughout the building and the need to use natural or continuous light.  (I’m a flash girly.)  For this event, I used: Canon R6 24 - 105mm lens Neewer 12-inch LED light Assistant Camera Settings: This shoot was inside the Portrait Gallery, which has a no flash policy, thus I was using a mix of natural and continuous lighting, which affects settings. My ISO ranged from 100 ISO to 3200 ISO with the most common ISO being ISO 1000.  My aperture stayed between F4 and F5, with the most c...
Post a Comment
Read more