Friday, January 20, 2017

Film Noir Shoot

ISO 400, Aperture f/4.5, Shutter 1/160s

The term film noir is French for “black film” or “dark film” and was applied to generally black and white mystery and crime drama films produced the in 1940 – 1950. The cinematography in these films was usually dark, gritty, and contained heavy shadows, which is very similar to a low-key photo. When a person says film noir thoughts atomically go to old black and white films such as “The Maltese Falcon”,  “Murder, My Sweet”, and the “Third Man”; however, there is no rule saying photos inspired by the genera need to be straight black and white.  Thus in this series of photos I tried to recreate that feeling of film noir of the 1940s and 1950s; but using a more modern take on the coloring of the photos.

My other inspiration for this set of photos was the femme fatale character found in several noir films. My goal in these photos was to capture the hidden strength and hidden “bad girl” streak as seen in characters played by Lana Turner and Rita Hayworth. I also used elements of the classic Hollywood glamour photo to create these images.  

This shoot contained both studio and outdoor/on-location shots. For the studio shots, I used a large grey backdrop, two light stands, two 430EX III-RT speedlights, 28-inch rectangular soft box with egg carton grid, a narrow honeycomb grid modifier, and a large gobo mounted on a C-stand with boom arm. I also used props to include a large brown couch, table, a martini bar set, martini glass, and a dark wood chair.  For the outdoor shots, I used one 430EX III-RT speedlight, painter’s pole, and an assistant (my husband). For both the studio and on-location shots, I used my Canon 70D, an 18 – 200mm lens, and a Canon radio trigger.  

I used a two light set up for the studio shoot, with the main light being the square soft box with egg crate and the other being a straight flash with a honeycomb grid modifier attached.  I started the shoot with the main light a little more than 90 degrees to the subject’s left, while the straight flash was a little less than negative 45 degrees to the subject’s right.  (Note directly behind the subject is 0 degrees.)  For the outdoor shoot, the light was placed above and in front the subject to match the light coming from the streetlights.

I took 296 photos and kept about 60% of them for editing purposes, but after the final edits only delivered 173 photos of which several were duplicates photos that were edited/styled differently (i.e. black & white verse color).  Below are a few of my favorites from the shoot while you can see all of them here.

The first two images I like because the eyes say it all. The shadows hit perfectly, and the light just crosses across her eyes with the intense stare. To me this says classic noir.  

ISO 400, Aperture f/4.5,  Shutter 1/160s
ISO 400, Aperture f/4.5, Shutter 1/250s

The second photo I love in both black & white and color is this profile. This says classic Hollywood elegance to me. It captures the grace and beauty of the model.

ISO 400, Aperture f4.5, Shutter 1/100s
ISO 400, Aperture f4.5, Shutter 1/100s

This is the one of my favorite outdoor shots, which was taken on a staircase with one streetlight. To me this looks like a classic noir movie scene.  It begs the question is she walking away from something or waiting for something.

ISO 400, Aperture f/4.5, Shutter 1/125s

This final image I actually struggled with, because in the color version the shadows overpower her face. However once I converted it to black & white with a sepia tint it brought the image to life. I also lighted the shadows on her face slightly so you could see her eyes more clearly. In the end, I think this photos works.

ISO 400, Aperture f/4.5, Shutter 1/160s

Overall, I am happy with how this photo session turned out.  The model Orisen Cosplay was wonderful to work with. I loved her long lines, gracefulness, and how she was able to portray the femme fatale character.  

Friday, January 6, 2017

Photography Plans for 2017

It is the New Year, so it is time for some new photo projects and goals.  I still plan to do work with the DC Cosplayer and Photographer Group and do convention shoots but want to expand beyond that. This year I would like to do a few more personal projects and increase the number of shoots I do outside of conventions.   To reach this goal I have developed a list of photoshoots I would like to do this year.

A film noir shoot. This shoot is based on classic noir films like the Maltese Falcon, The Third Man, and Casablanca. This would be a shoot based on 1940’s and 1950’s styling, focusing on old Hollywood glamor, and be very low key or dark shoot.  This shoot would be in the evening and be a mix of studio and on location, since all the locations I’m thinking of are within short walking distance of the studio.  Ideally, I would love to do this shoot, as a couples shoot, but singles are good too. You can see my pintress idea board for this shoot here.

Girl in a Cherry Tree.  Last year I did a wonderful shoot with Neirdheim Jen, by placing her in a cherry blossom tree.  I want to do a few more shoots like that, since this will most likely be the last year these cherry trees will be accessible (blame construction plans).  Therefore, I would love to do at least few more shoots, placing a model in the tree, preferably with a long flowy dress or something that is cherry blossom appropriate.  I would love to shoot with a dress called “endless fire” or the “magenta orchid parachutedress” located on dream shoot rentals.  My other thought would to be place cosplays based on Sakizou, Hannah Alexander, or Nene Thomas designs.



Arboretum Shoot. I would like to do a shoot at the National Arboretum.  This one does not have a specific theme, but I would be looking to do something that is a bit elegant or fashion oriented. Basically, no superheroes.

Night Shoot overlooking the city. This shoot is geared towards superheroes, because the idea is to place the background below behind the model.



Random Shoots:  I do have a permit to shoot within the Fairfax County parks and there are a few locations I would like to shoot. In addition, I’m hoping for some snow so I can do anther snow shoot. I will also be keeping my eye out for new and interesting locations; I might even make it up to the GraffitiWarehouse in Baltimore.  

To those who are interested in working with me on any of the shoots listed above (which will be TFP), please message me through my Facebookpage: Munchkin Photos by Heather.  

I will also be offering all cosplayers 90-minute shoots (in studio or on location) for 45-dollars, which would include a CD/thumb-drive of all the edited images from the shoot as well as an online gallery. 

Friday, December 30, 2016

Photography End of Year Wrap-Up

This year was a busy year for me, I started a 52-week photo challenge, which I did not complete because of all the cosplay work I ended up doing at conventions (Katsucon and Anime USA) and with the DC Cosplayer and Photographer group. I loved working with the DC Cosplay group, because it is an excellent group of cosplayers and a great venue to practice new techniques. I also did do some landscape work during my annual vacation; this year it was to Yosemite and Sequoia National Park.  Overall Yosemite was nice but preferred Sequoia.  So now, it is time to look back as some statistics and my favorite photos from the year.

This year I edited 5851 photos, (that is the number of edited images sitting in Lightroom not the number of photos I took); my most used focal length is 28 mm, with a shutter speed of 1/100s at an f5 and f8 aperture, and ISO 100 and ISO 400. You can see the distribution of each of focal length, shutter speed, aperture, and ISO below.


I also looked back at the photos I took over the past year to determine my three favorite photos in Cosplay, Travel/Landscape, and Animals.  Then looked at my website data to determine which photo was the most viewed. This year it was very close between two photos, Ursula from Katsucon (1053 views) and Tinker Bell and Captain Hood from a DC Cosplayer and Photographer’s meet up at the Cloister (1052 views). 

Cosplay
Cosplayer: Lady O Cosplay

Nerdenheim (Jen) Cosplay

Cosplayer: Vira Mal Cosplay

Travel and Landscape



Most Viewed Photos
Cosplayer: deLore Cosplay

Cosplayer: Jennifer Glinzak Costumer and significant other

I am looking forward to a very productive 2017.  I am working on several personal projects, which will include at least two themed shoots, a few experiments with high-speed flash, and of course more work with cosplayers at conventions, DC Cosplay Meet Ups, and one-on-one/private shoots. 


Sunday, December 4, 2016

Dog in the Sun

A few weeks ago my dog was lying in a sunbeam coming through the window.  I thought it would be an excellent photo opportunity, to catch his relaxed expression in the sun.  I took this picture with my Cannon 70D with an 18 – 200mm lens.  This photo was taken with only natural light, at ISO 100 an aperture of F5, a shutter speed of 1/160 at 18mm.  As you can see my dog’s face is slightly over exposed and while the background is dark, you can still see several distracting elements. 

Original

For the final image, I pulled the photo into Lightroom, darkened the exposure, and adjusted the highlights and shadows.  Specifically, I darkened both the highlights and shadows to reduce the distraction in the background. I also added local adjustments to darken the bright spots such as the computer screen, reflections off the chrome on the chair, and the second window.  I then bumped the color saturation and clarity up a little bit. I also adjusted the white balance to warm the image up slightly.  I finally cropped the image two ways to bring the focus onto my dog’s eyes. The firs crop is long crop that shows most of his body, while the second crop focus mostly on his face.  I’m happy with how the final images turned out. 

Long Crop

Tight Crop

Sunday, November 27, 2016

Portrait Gallery Meet Up

At the beginning of November I shot with the DC Cosplayer and Photographers meet-up group at the National Portrait Gallery in DC.  The National Portrait Gallery has a  beautiful interior, especially the third floor which has several interesting little nooks. The other nice thing is the Portrait Gallery does allow flash photography in most areas, the only limitation for this shoot was photographers could not use light stands or tripods.  This limitation was not an issue, since that is the same limitation I work with at most conventions.  Hopefully, we will get to shoot there again because I know I missed some interesting areas.

For the Portrait Gallery shoot, I was limited to handheld equipment only and I did not have an assistant to hold things. I was shooting with my Canon 70D, with an 18 -200mm lens, a 450 EX II flash, and LumiQuest 80/20 flash modifier.  The modifier is called an 80/20 which when the flash is pointed straight up will bounce either 80 to 20 percent of the light from the flash towards the subject depending on what insert is being used.  This is actually a useful modifier, and good when you can’t use off camera flash.  

You can see all the photos from the shooter here.

My favorite shot from this shoot is Jennifer Glinzak Costumery  who was Naomi from Elena of Avalor.  I like this photo, because the photo frames her face nicely. I did modify the image in Lightroom by enhancing some shadows, brightening  her face just a little and adding some vignetting to draw the eye.  
Shot at: ISO 400, f/4.5, 1/250s, at 18mm

I also liked this photo of Roaring Girl Cosplay and Sgt. Bucky Bear cosplay as Leonardo DiVinci and Ezio from Assassin's Creed, because it looks like a clandestine meeting. What is nice, is this stairway was inside the building and contained an antique lamp post with lamps.  I modified the image slightly to add spots of lights coming down on each person and darken the surroundings to give it more of the secret meeting feel.  I also left it a bit yellow, to keep the image warm and keep as though they are meeting under old gas streetlights.

Shot At: ISO 400, f/4.5, 1/80s at 18mm

And finally  what would a photo shoot in an art museum be if there wasn’t a Carmen Sandiego (admit you thought of the theme song). Life of Cosplay did a very good Carmen Sandiego and what was great about this was she had a little Statue of Liberty with her.  So we did a picture of her sizing up the Statue of Liberty and then one of her putting a little one it in her brief case (shrink ray).   I like both of these photos the first one I left a little dark and sepia toned almost like an old newspaper photo. The other one I left dark, trying to go for a film noire look while still keeping the picture in color.  The only problem I had with shooting in this particular area was the light was very yellow/orange which clashed with my flash color. I should have gelled the flash but I didn’t have the gells with me.
 
Shot at: ISO 400, f/4.5, 1/60s, at 18mm
Shot at: ISO 400, f/4.5, 1/60s at 35mm


Overall, this was a good photo session and being limited in equipment is good practice for Katsucon which does not allow light stands or tripods.  This will be my last  photo shoot till the new year, due to the holidays, because it just gets too crazy during December.

On a side note for those in the DC, VA, and MD area I will be running a contest starting December 1, on my Munchkin Photos Facebook page. I will be giving away a 2 hour photo session (in studio and/or on location), to include 20 high resolution digital images and 3 prints.

Sunday, November 13, 2016

AnimeUSA 2016 Summary

I have finally finished editing all my photos from AnimeUSA 2016. (AnimeUSA 2016 Gallery) I like shooting at AnimeUSA because it is a small convention and allows the use of light stands and other photographic equipment, which allows me to be a bit more creative.  The convention location also has a very nice garden area and a nice white room that is set up like an antique sitting room.   

I shot this convention using a Canon 70D, 18-200mm lens, Yongnuo radio triggers, speedlight, light stand, and an 80/20 bounce attachment.  For hall shots, I had the light stand mounted to my backpack so I could continually use off camera flash. Now let’s talk some statistics. This year I had 12 individual sessions lined up, of which two were groups of six plus people.   Of 991 photos taken during the course of the convention, 75% were shot at 28mm equivalent and only 2% were shot at 55mm equivalent.  Then 72% of my shots were taken at f5 with 10% were taken at f3.5 and f6.3.  Of the 991 images, 23% of the images were taken at 1/100s and 14% were taken at 1/200s and 1/250s.   I either used an ISO 100 or ISO 200 for the shots.   

Overall, I had several nice shots, below are a few of my favorite images.  The first few are from the Gokatia session with Akiryu Yoru Cosplay.  The first image reminds me of an album cover. 



The second set of images is from the Saber Nero session with MiGuo Cosplay.  I like these two shots because they are polar opposites.  


This shot is from the Sakirou Maccha Latte session with Vira Mal Cosplay. I loved shooting this cosplay because I love Sakirou’s work and have always wanted to shoot a cosplay based off Sakirou's paper doll art work. 


This last shot is from the Weiss from RWBY session with Rosettica Cosplay. I like this shot because of the dramatic lighting. 


Monday, October 10, 2016

Steampunk at the Fort Washington


At the beginning of October, I got the chance to do a steampunk photoshoot with Nerdenheim Jen at Fort Washington National Park.   The only downside is that it was raining that morning.

Fort Washington NP, is located in Maryland along the Potomac River, and is the site of fort built in 1842. It was the only defense for the US capital until the Civil War.  The fort is very well maintained and has several of the original structures from the 1840’s. It also has concrete structures and embattlements from World War I and World War II.    All this makes it an excellent location for a photo shoot and has both outdoor and indoor areas.

For this shoot, I had to obtain a permit from the National Park Service, because I was using a model and lighting equipment.  For the shoot I used the following equipment: Canon 70D, 18-200mm lens, Yong Nuo radio triggers, speed-light, painters pole, 2 large golf rain umbrellas, camera rain cover, gallon sized Ziploc bag, and an assistant.  I used the 60-inch diameter rain umbrellas to keep the model dry while moving around the site. I used the Ziploc bag to protect the flash and radio trigger, which were mounted on the painters pole that my assistant held.  I did not use a standard light stand for this shoot, because it was windy and rainy, thus making a free standing light stand unwieldly.    I used an ISO of 400, a focal length between 18 – 28mm, an aperture of f5, and a shutter speed between 1/80s to 1/320s with the most common speed being 1/100s.

I love the location of Fort Washington because it lends itself to many different photo concepts. It also has several unique photo locations from ramparts, staircases, southern style porches, cellars, and interesting doors.  My concept for this shoot was to approach it like a fashion shoot or a magazine editorial shoot that highlights the outfit and steampunk theme.  Since it was raining at the beginning of the shoot, we were originally limited to areas that provided cover from the elements. However, this led to some interesting pictures inside the fort and in the old jail cells.  As the rain cleared, we were left with a stormy looking sky and were able to go up to the ramparts at the top of the fort.  We also did a costume change during this shoot, which I haven’t been able to do before.  My favorite photos from after the costume change were when we headed down to the old concrete embattlements. In this area, we were able to put the river in the background of some of the shots and do some post-apocalyptic looking shots.


When I edited the photos from this session, I let the feeling of the photo guide me in the editing process. I also was looking to be able to tell a story with the photos to be able to build a strong series. During the editing process I leaned towards darker images, and an antique look, especially for the green dress.

 



While for the red dress I ended up doing some traditional fashion edits and then going for the apocalyptic look for the photos around the concrete embattlement.   


Overall, I’m very happy with how this shoot turned out, and Nerdenheim Jen was very happy with the photos. It is always nice to hear from your models they can’t narrow down there choices to just 10 images.  You can see all the images from the session here.