Skip to main content

Lolita with Snow

Tenth Moon Cosplay won a two-hour photo shoot with me, through a contest I ran on my Facebook page, back in January, and we did the shoot in March.  The two outfits she chose for the shoot were Lolita fashion dresses.  The first dress had prints of constellations on it, which inspired me to buy the moon backdrop used in the photos.  The other outfit was perfect for snow shots with its little fur edged cape.  However, I could no longer be guaranteed natural snow, so I made snow.  I used a product called “SnoWonder InstantSnow”.   One cup of the raw power when mixed with one gallon of water makes two gallons of snow.  The fake snow feels cold and acts like heavy snow, meaning it tends to clump.  However, it works wonderfully to coat a floor and toss in the air.  The only bad part is it is hard to clean up when it is wet because it tends to stick to everything, but once it dries it is easy to clean up with a broom.

For this session, I used a Canon 70D with an 18-200mm lens.  Two 450 RT III flashes mounted on light stands trigger by a radio trigger, an umbrella and a square soft box with a grid.  The soft box was located to my right, which provided the main light, and the umbrella was placed to the left, which provided fill.  I used both a printed background and a standard white background during the shoot.  For the shoot All images were taken at ISO 100, with 62% of the images taken at a focal length of 18mm, 51% taken at an aperture of f5, and 50% taken with a shutter speed of 1/160s.   When editing the images, I kept them relatively natural except for a few where I attempted to show moonlight, lighting the model. 


My two favorites images from the shoot are the snow-tossing image an the contemplation image.  I like the snow image because it looks like the snow is staring to form a heart shape. The other one I like to call moon contemplation. During the editing process for that photo, i add a blue overlay to make it feel like it was taken during late evening blue hour, right before the world goes to black. 

Aperture: f4, Shutter: 1/160s, Focal Length: 24mm
Aperture: f5, Shutter:1/160s, Focal Length 20mm


Comments

Popular posts from this blog

2025 Year in Review and Looking Forward to 2026

This year was a bit interesting especially since during the day, I’m a government employee, which resulted in a lot of stress and a 42-day furlough.  I didn’t attend as many cosplay events with the D.C Cosplay group, now Costume and Camera, as I normally would have, due to schedule conflicts.  However, I traveled up to Poughkeepsie, New York for two photo events, one of which I was a featured photographer.  I attended two conventions, one of which didn’t turn out as expected and the other just confirmed my decision to take a break from it.  Though happily I did a lot of studio work this year, which I enjoyed.  But on the other hand, I lost my dear “studio supervisor”, my dog Teddy.  He liked to great clients and then “supervise” while lying/sleeping in his bed. I also started to work on the business side of my photography work, by investing in a Customer Relationship Management (CRM) site to manage bookings, schedules, and payments. No more trying to juggle...

Cyber Blue

On October 11 th , I worked with Dayvon on a cyber concept shoot. This shoot was designed around a pair of contact lens with a circuit board pattern. This inspired me to think about things like “Blade Runner”, “Tron” and cyber punk in general.    For this shoot I used: Canon 80D 2 Speed lights 2 Phottix strobes 2 Phottix Rectangular Softboxes with a grid 2 C-stands Blue gels Silver garage insulation Backdrop stand Black backdrop Connectable foam workout mats For this shoot I started out using four lights. The first two were small speed lights with blue gels attached placed on the floor aimed at the backdrop.  The backdrop was silver garage insulation, which looks like silver bubble wrap. The backdrop reflected the blue light forward providing a bit of rim light.  My main two lights were the strobes is rectangular soft boxes with grids attached. For this shoot I kept the lighting very low key, styled along that of a photo of Ryan Gosling i...

Return to the National Portrait Gallery

On February 28th, I attended the  Costume & Camera  (previously DC Cosplay Photoshoots) event at the National Portrait Gallery in DC.  I have a love/hate relationship with shooting at the National Portrait Gallery; it is a beautiful location due to its architecture, especially on the third floor, and I’m thankful that you are allowed to do portrait photography there as long as you don’t use flash.  What I get frustrated with is the varying colors of light throughout the building and the need to use natural or continuous light.  (I’m a flash girly.)  For this event, I used: Canon R6 24 - 105mm lens Neewer 12-inch LED light Assistant Camera Settings: This shoot was inside the Portrait Gallery, which has a no flash policy, thus I was using a mix of natural and continuous lighting, which affects settings. My ISO ranged from 100 ISO to 3200 ISO with the most common ISO being ISO 1000.  My aperture stayed between F4 and F5, with the most c...