Skip to main content

Folklife Festival

Today I went to the National Mall for the Annual Smithsonian Folklife Festival. This year the festival highlighted China and Kenya.  I focused on the China portion of the festival.   The first dance I saw was actually of a man dressed as a woman doing the traditional lantern dance; later in the program, he performed the male version of the dance with a female partner.  The man is one of the foremost traditional dancers in China.  Along with the lantern dance, performers also did dances that told the stories of flowers and trees.   I also was lucky enough to see the end of the lion cart performance.  The lion cart performance is dancing lion puppets controlled by a troop of 8 to 10 people.  It was fun to watch, once I squeezed myself into the crowd.
The Lions in the Lion Cart
Since these performances were held in outdoor tents, it was a slightly difficult to meter through the camera for some photos.  I mostly used either a 400 ISO or 800 ISO for the dancers with an aperture set at either f8.0 or f4.0.  I varied the shutter speed to be able to catch some motion of the dancers but tried to stay between 1/80s and 1/200s.    You can see all the pictures under my Folklife 2014 gallery.

Man performing the Lantern Dance
Beginning of the Tree Dance 


Comments

Popular posts from this blog

Cobwebs Everywhere

On October 7 th , I did a studio spooky session with Coralinx Cosplay .   The central theme of this shoot was a pretty goth girl who had a fondness for spiders and decorating with cobwebs, making it a perfect Halloween session.   Note: Cobwebs are defined as abandoned or old spiderwebs that have collected dust.   Many cobwebs are the result of comb-footed spider (i.e., black widows) that make irregularly shaped webs.   Spiderwebs are active structures built to catch prey.   (Source: Western Exterminator Company) For these sessions, I used: Photography Equipment Other Equipment Cannon R6 24-105 mm Lens Transmitter/Trigger 2 Westcott FJ400 2 Phottix Strobes 2 strip boxes 2 rectangular soft boxes 2 c-stands 3 light stands Backdrop stand Black seamless 2 Westcott silicon gels Tether cable Laptop Laptop holder Sandbags A-clamps Spyder Color checker Fake cobwebs Table ...

2025 Year in Review and Looking Forward to 2026

This year was a bit interesting especially since during the day, I’m a government employee, which resulted in a lot of stress and a 42-day furlough.  I didn’t attend as many cosplay events with the D.C Cosplay group, now Costume and Camera, as I normally would have, due to schedule conflicts.  However, I traveled up to Poughkeepsie, New York for two photo events, one of which I was a featured photographer.  I attended two conventions, one of which didn’t turn out as expected and the other just confirmed my decision to take a break from it.  Though happily I did a lot of studio work this year, which I enjoyed.  But on the other hand, I lost my dear “studio supervisor”, my dog Teddy.  He liked to great clients and then “supervise” while lying/sleeping in his bed. I also started to work on the business side of my photography work, by investing in a Customer Relationship Management (CRM) site to manage bookings, schedules, and payments. No more trying to juggle...

Spooky in the Morning

On October 5 th , I did an on-location spooky session with Rebecca at Claude Moore Park.   The theme was Victorian ghost; however, it is hard to be a ghost at 9:30 in the morning on a bright sunny day.   I did my best to get a spooky look. For these sessions, I used: Photography Equipment Other Equipment Cannon R6 24-105 mm Lens Transmitter/Trigger 2 Cannon Speed lights 1 30-inch umbrella Light stand Assistant Smoke Genie The setup The set up was relatively easy.  I mounted a Canon speed light on a light stand with an umbrella.  My assistant then held the light in the appropriate spots as we made our way around the park to different locations. Camera Settings This session was held outdoors in bright morning sun and was intended to look spooky, so I tried to keep the images dark.  Thus, I used ISO 100, which is great for sunny conditions.  I wanted to maintain a soft background as much a...